Sabtu, 26 April 2014

> Free PDF Fetal Cardiology: Embryology, Genetics, Physiology, Echocardiographic Evaluation, Diagnosis and Perinatal Management of Cardiac Diseases (M

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Accounting for the huge strides in technological development over the past few years, as well as of recent research and advances, this text updates cutting-edge information on topics such as:




  • embryology

  • cardiovascular development

  • placental implantation and development

  • intracardiac shunt malformations

  • fetal cardiac tumors

NEW TO THE SECOND EDITION:



  • DVD with over 50 video clips, including 4D ultrasound

  • high quality illustrations in colour throughout

  • new information on the cardiac impact of twin-twin transfusion syndrome, cerebral outcomes in CHD, and congestive heart failure

  • Sales Rank: #2350753 in eBooks
  • Published on: 2008-12-22
  • Released on: 2008-12-22
  • Format: Kindle eBook

Review
'An outstanding [piece of] work on the area of fetal cardiology ... every chapter is of a high standard.' "-" "Speculum" 'This textbook on fetal cardiology is one of the most complete to my knowledge and deserves a place in the library of all involved in the care of the fetus with heart disease.' "-" "Acta Cardiologica"

About the Author
Stanford University Medical Center, Stanford CA, USA

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Jumat, 25 April 2014

~~ PDF Download Hymns of Hermes: Ecstatic Songs of Gnosis, by G R S Mead

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Hymns of Hermes: Ecstatic Songs of Gnosis, by G R S Mead

These writings are attributed to Hermes Trismegistus, an ancient Egyptian sage, the founder of all arts and sciences, both mundane and spiritual. Rather than being an actual person, Hermes is the Egyptian personification of the "Gnostic Revealer."

Hymns of Hermes examines Hermetic ecstatic hymns, which are songs of a poetic nature used to describe the Gnosis of Hermetic attainment--the ecstatic personal experience of the divine.

  • Sales Rank: #2026873 in eBooks
  • Published on: 2006-02-01
  • Released on: 2006-02-01
  • Format: Kindle eBook

Language Notes
Text: English (translation)
Original Language: Greek

About the Author
G. R. S. Mead is regarded as a pioneer in the field of Gnostic and Hermetic studies. A highly intuitive scholar, Mead joined the company of Madame Blavatsky and her close associates. In this circle, he learned the profound mysteries of the Gnostics and became a translator of these writings. Mead evidently suffered some scholarly prejudice because of his connections with Theosophy. However, he also visited with C. G. Jung during his last years, and Jung thanked him for his dedicated work, his outstanding use of the English language, and for his affinity toward the experience of Gnosis.

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4 of 5 people found the following review helpful.
A compilation of writings attributed to Hermes Trismegistus
By Midwest Book Review
Hymns Of Hermes: Ecstatic Songs Of Gnosis is a compilation of writings attributed to Hermes Trismegistus, an ancient Egyptian sage and known in metaphysical studies as the "Gnostic Revealer". Translated by G.R.S. Mead (1863-1933), this collection is an initiatory introduction to Hermetic Gnosis and a testament to Mead's mastery of the language and intent of ancient writers of Hermetic works. This edition of a true metaphysical classic is enhanced with an informed and informative introduction by Stephan A. Hoeller (Professor Emeritus of Comparative Religion at the College of Oriental Studies in Los Angeles, California). Hymns Of Hermes is a seminal and very highly recommended core addition to personal reading lists or academic library reference collection in Metaphysical Studies or Gnostic Studies.

3 of 3 people found the following review helpful.
Book comes highly recommended by Stephen A. Hoeller...
By dbernelle
This book comes highly recommended by Stephen A. Hoeller (and this means A LOT!). If you are intested in this line of thought, try some of Dr. Stephen A. Hoeller's teachings/lectures and other works.

0 of 6 people found the following review helpful.
Flimsy
By Genuine Redhead
Sorry this was not very good - I like GRS Mead on the whole and also like S Hoeller but this book is a complete waste of time.

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Senin, 21 April 2014

! Ebook Free A Butcher of Distinction (Oberon Modern Plays), by Rob Hayes

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I provided him with things money can’t buy. And now he’s left me the most priceless gift of all. His most precious possessions.

Two orphaned twins are forced out of the rural wilderness they know and into a bleak, brutal London that they don’t. Seeking refuge in a dank pub basement, they begin to plan their escape, only to find themselves locked in a nightmarish battle with a grieving stranger over their dead father’s sordid legacy. Shot through with pitch-black humour, A Butcher of Distinction offers a journey into the unique imagination of award-winning young playwright Rob Hayes.

‘Fiercely funny’ – Time Out

‘Hayes evokes Renaissance writers like Middleton and Ford in the more gruesome touches… it is brilliant’ – The Public Reviews

‘A disturbing, yet brilliant example of new writing in London’ – Fringe Review

‘There are so many compelling themes in this strange, disturbing new play… This is edgy, bracing work which demands attention.’ – Extra! Extra!

‘A beautifully complex, layered and twisted comedy’ – The Good Review

  • Published on: 2012-06-21
  • Released on: 2012-06-21
  • Format: Kindle eBook

Review
“Fiercely funny” —Time Out

“Weirdly compelling… While chilling our blood, he also makes the point that rural life has its own violent rituals that prove more than a match for metropolitan depravity. The play has all the marks of genuine promise” —Michael Billington, The Guardian

“Hayes evokes Renaissance writers like Middleton and Ford in the more gruesome touches… it is brilliant” —The Public Reviews

“A disturbing, yet brilliant example of new writing in London” —Fringe Review

“There are so many compelling themes in this strange, disturbing new play… This is edgy, bracing work which demands attention.” —Extra! Extra!

“A beautifully complex, layered and twisted comedy” —The Good Review

“It is clear that Hayes is a gifted writer… The Butcher of Distinction is superbly written, giving guts and gore aplenty, whilst being both alluring and sinister.” —A Younger Theatre

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Sabtu, 19 April 2014

@ Ebook Free The Stage Management Handbook, by Daniel Ionazzi

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The stage manager is the renaissance man of the theater. He or she must have a working knowledge of how the various technical aspects of the theater work (scenery, props, costumes, lights and sound), be part director, part playwright, part designer and part producer, and be prepared to act as confidant, counselor and confessor to everyone else in the company.



This book addresses all of these considerations in detail and offers the reader–professional or amateur, veteran or beginner–helpful guidance and practical advice, supported by many forms and examples to illustrate the points covered in the text.



The three phrases of mounting and performing a show are covered. Part I takes the reader through the pre-production phase–research, the script, planning and organization, and auditions. Part II covers the rehearsal process–rehearsal rules, blocking, cues, prompting, information distribution, technical and dress rehearsals. Part III discusses the performance phase–calling the show, maintaining the director's work, working with understudies and replacements, and more.



Part IV provides insights into the organizational structure or some theaters and aspects of human behavior in those organizations. Many stage managers of long-running commercial productions believe that–once the show is up and running–only ten percent of their work is related to everything covered in Parts I, II and III. The other ninety percent is associated with issues in Part IV; i.e. "managing" human behavior and maintaining working relationships.

  • Sales Rank: #538517 in eBooks
  • Published on: 1992-04-15
  • Released on: 1992-04-15
  • Format: Kindle eBook

From Library Journal
Ionazzi (productions, UCLA School of Theatre) offers this textbook for stage managers and stage management classes. It is arranged logically in four parts following the chronology of production. The last section is devoted to organizational behavior, an area not often developed in such texts. An especially useful section is the appendix containing a dozen clear and useful blank forms. Keeping paper flowing smoothly is an art the text emphasizes. The book is readable and provides many examples, with plenty of graphic illustration. Its major drawback is that it does not address the stage manager's professional union responsibilities. It is not as detailed as Lawrence Stern's similar Stage Management (Allyn & Bacon, 1992. 4th ed.), but it contains a good bibliography. This workable introduction to the stage manager's craft is recommended for academic and large public libraries.
- Thomas E. Luddy, Salem State Coll., Mass.
Copyright 1992 Reed Business Information, Inc.

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0 of 0 people found the following review helpful.
A good resource!
By Book Monster
A very nice and in-depth overview on how to stage manage. Really helped me nail down the nuts and bolts in my Theatre Management class!

0 of 0 people found the following review helpful.
Great reference for new stage managers
By S. Ramos
I gave this as a gift to my daughter who is studying stage management at college. She loves it, said it it full of very useful information.

0 of 1 people found the following review helpful.
Stage Manager's happiness
By A. W.
When I purchased this product, it was for a friend of mine, who really wanted it. Upon getting it in the mail, it looked interesting. When I gave it to my friend for Christmas, she was uber happy and excited. That--is a great thing. She's told me that she's referred to it on occasion while she was an assistant manager recently.

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Gesundheit!: Bringing Good Health to You, the Medical System, and Society through Physician Service, Complementary Therapies, Humor, and Jo

The inspiring and hilarious story of Patch Adams's quest to bring free health care to the world and to transform the way doctors practice medicine

• Tells the story of Patch Adam's lifetime quest to transform the health care system

• Released as a film from Universal Pictures, starring Robin Williams

Meet Patch Adams, M.D., a social revolutionary who has devoted his career to giving away health care. Adams is the founder of the Gesundheit Institute, a home-based medical practice that has treated more than 15,000 people for free, and that is now building a full-scale hospital that will be open to anyone in the world free of charge. Ambitious? Yes. Impossible? Not for those who know and work with Patch. Whether it means putting on a red clown nose for sick children or taking a disturbed patient outside to roll down a hill with him, Adams does whatever is necessary to help heal. In his frequent lectures at medical schools and international conferences, Adams's irrepressible energy cuts through the businesslike facade of the medical industry to address the caring relationship between doctor and patient that is at the heart of true medicine.
All author royalties are used to fund The Gesundheit Institute, a 40-bed free hospital in West Virginia.
Adams's positive vision and plan for the future is an inspiration for those concerned with the inaccessibility of affordable, quality health care.

Today's high-tech medicine has become too costly, impersonal, and grim. In his frequent lectures to colleges, churches, community groups, medical schools, and conferences, Patch shows how healing can be a loving, creative, humorous human exchange--not a business transaction.

  • Sales Rank: #326353 in eBooks
  • Published on: 1998-10-01
  • Released on: 2012-06-28
  • Format: Kindle eBook

From Library Journal
Patch Adams, the movie starring Robin Williams, was a warm, humorous introduction to a very unusual man. Unfortunately, this audiobook does not provide any of the humor or warmth of the movie. Instead, Adams presents his manifesto for curing the ills of the medical profession and society at large. The abridgment is certainly long enough to get the main points across; the unabridged version gets tedious, and Arte Johnson's narration becomes grating and monotonous. We all know the medical profession in this country has problems. Adams's ideas for resolving them are as wide-ranging and, at times, as eccentric as he is. Ideas about bringing humor and joy to everyday life seem reasonable. However, it is hard to imagine doctors treating patients for free and not carrying malpractice insurance. For libraries with large alternative health sections.ATheresa Connors, Arkansas Tech. Univ., Russellville
Copyright 1999 Reed Business Information, Inc.

Review
"This book is an enjoyable, easy read that's ideal for those interested in a new view of health." (New Times, Oct 2005)

The Universal movie soon to be released as "Patch Adams" starring Robin Williams was born as a book called "Gesundheit!" published by a small Vermont house and written by a doctor who dresses as a clown, doesn't charge his patients and told the architect designing his new health center in West Virginia to "make it silly," with trap doors, eyeball-shaped exam rooms and chandeliers to swing on. How did such a project find its way to print? And how did it get to Universal?

According to publisher Ehud Sperling, who started Inner Traditions 23 years ago and is just now enjoying his first Hollywood sale, "Gesundheit!" was written at the suggestion of one Josh Mailman of the philanthropic Mailman family from New York, who met Patch Adams at an ersatz-hippie celebration called the Rainbow Gathering. Mailman thought people would want to read about this 6-foot, 5-inch ponytailed man who called himself "a pie in the face of the American medical establishment"--his goal is free medical care for all--and how he came to hold his unorthodox views.  Mailman introduced Adams to Sperling, who found him a coauthor, Maureen Mylander, and a book was born. That was in 1983.

The movie deal took place at least 10 years later, at a meeting of the hip entrepreneur invitation-only Social Ventures Network, where Sperling and Mailman met up by chance with "M*A*S*H" co-star Mike Farrell, who had heard of Patch Adams at the time of "Gesundheit!'s" publication.  Farrell wanted to produce the project. He optioned the book via Al Zuckerman's Writer's House for what Zuckerman characterizes now as a steal, made a pitch to Universal and secured the interest of comedy director Mike Shadyac ("Liar, Liar"). "Everyone wanted Williams," reports Sperling, "because it was an ideal vehicle for him, but no one wanted to get their hopes up."

But the clown in Adams appealed to Williams. What about the height discrepancy? "Williams is shorter, but he's very funny," Sperling says. There has been talk at Universal of donating a portion of the box office to Patch Adam's Gesundheit Institute, which is more than $4 million short of the $5 million needed to finish work on the grounds and building, but according to Sperling, nothing has happened yet on that front. (LOS ANGELES TIMES Sunday November 1, 1998)

"Patch Adams's book ought to be required reading for patients, doctors, and ordinary mortals of all kinds. It will help us rediscover the true meaning of medical care, and it will help to heal the health care system itself. I have learned from Patch the courage it takes to be different and to reveal your wounds: behind his clownlike persona lies a great deal of wisdom, and it often falls to the court jester to speak the truth that those in power need to hear." (Bernie Siegel, M.D., author of Love, Medicine and Miracles)

"At last Patch Adams, M.D. has put on paper his vision of patient-centered health care . . . a vision that has inspired so many over the years. Patch's 'crazy dream' is, in reality, the root of what good health care should be all about and too often isn't. Any health care professional who reads Gesundheit! will come away with a renewed sense of mission and joy about what they do." (Rick Wade, Senior Vice President, The American Hospital Association)

"If a wacky West Virginia doctor's dream of building a freehospital comes true, he'll have a small Vermont publishing house to thank." (Olivia F. Gentile, Rutland Herald)

From the Back Cover
HEALTH / BIOGRAPHY

"Patch Adams’s book ought to be required reading for patients, doctors, and ordinary mortals of all kinds. I have learned from Patch the courage it takes to be different and to reveal your wounds: behind his clownlike persona lies a great deal of wisdom, and it often falls to the court jester to speak the truth that those in power need to hear."
--Bernie Siegel, M.D., author of Love, Medicine and Miracles

"At last, Patch Adams has put on paper his vision of patient-centered health care--a vision that has inspired so many over the years. Patch’s “crazy dream” is, in reality, the root of what good health care should be all about and too often isn’t. Any health care professional who reads Gesundheit! will come away with a renewed sense of mission and joy about what they do."
--Rick Wade, Sr. Vice President, The American Hospital Association

Meet PATCH ADAMS, M.D., a social revolutionary who has devoted his life to giving away health care. Doctor, clown, man of many hats, Adams is the founder of the Gesundheit Institute, a home-based medical practice in West Virginia that has treated more than 15,000 people for free. Whether it means putting on a red clown nose for sick children or taking a disturbed patient outside to roll down a hill with him, Adams does whatever is necessary to help heal. In his frequent lectures and performances at medical schools and international conferences, Adams’s irrepressible energy cuts through the businesslike facade of the medical industry to address how the need for a caring relationship between doctor and patient is at the heart of true medicine.

This is the story of Patch Adams’s lifetime quest to transform the healthcare system. Gaining supporters across the country, the Gesundheit Institute will soon build a free, full-scale hospital that will be open to anyone in the world. Ambitious? Yes. Impossible? Not for those who know Patch.

Patch Adams’s amazing story seems like the stuff Hollywood movies are made from--and it is. But for those who loved the movie Patch Adams and want to know the whole story that inspired it, Gesundheit! is just what the doctor ordered.

A percentage of the proceeds from the sale of this book will be used to fund Patch Adams’s Gesundheit Institute, a hospital devoted to free health care.

Most helpful customer reviews

0 of 0 people found the following review helpful.
Slighly better than his other book (House Calls) - interesting but unlikely to happen the way he wants it to!
By David W. Nesbitt
This book is slightly better than his House Calls book IMHO.

It explains his thoughts on how to improve/change our medical system. Please look up my review on this book (House Calls).

I well remember when I was growing up in the 1950's that the local docs still made - limited in scope - house calls. I vividly remember once when I was sick - maybe 5 or 6 - that the town/local doc made a house call and gave me a shot in the butt of penicillin. But then the office model took off and is far more efficient use of a MD's limited time.

Patches views/opinions are interesting but not very practicable and I explain why in more detail in my Review of his other book.

I would rate this book a good 8.0 to 8.5 - I would only recommend if you get it at your local library.

2 of 2 people found the following review helpful.
"Good Health" to You
By Kathleen Nicastro
An engaging, comprehensive review of the vision and life-dream
of the "real life" Patch Adams, M.D. This, the good doctor's
first book, gives the reader the background leading up to, and
the progress of the dream made since, the 1994 Hollywood version
of this man's life, which starred Robin Williams. An easy, but
enjoyable and informative read for anyone curious about what
this amazing doctor is doing now, what he has learned from his
"pilot project" clinic, and how the dream for a 40-bed free
hospital had changed and grown over the years. A must for
anyone interested in visiting the West Virigina site and working
as a volunteer. A joy for any reader who, like Patch, has
suffered the detriments of our current health care system,
and who seeks to reform it into something that can actually heal.

0 of 0 people found the following review helpful.
I love his philosophy
By sue
If I believed in Karma, I would say I was Patch Adams in a former life. I love his philosophy.

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Senin, 14 April 2014

! Fee Download 5 Leadership Essentials for Women: Developing Your Ability to Make Things Happen, by Linda Clark

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5 Leadership Essentials for Women: Developing Your Ability to Make Things Happen, by Linda Clark

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5 Leadership Essentials for Women: Developing Your Ability to Make Things Happen, by Linda Clark

5 Leadership Essentials will guide Christian laywomen to develop fundamental skills in moving projects forward, leading other women and changing the world for Christ. The five key leadership areas addressed are group building, communication skills, relationship skills, conflict management and time management. Written by women who are experienced leaders, 5 Leadership Essentials also includes discussion questions and learning exercises at the end of each chapter.

  • Sales Rank: #926537 in eBooks
  • Published on: 2011-06-01
  • Released on: 2011-06-01
  • Format: Kindle eBook

About the Author
Dr. Linda Clark has held numerous leadership positions and is passionate about women and the things that effect their lives, so much so that she earned her master's and doctorate in women's studies from Trinity Theological Seminary in Indiana. Sections for each leadership skill are written by women with real-world experience: Dr. Judy Hamlin (group-building skills) is an author who has served as a ministry consultant; Roberta M. Damon (relationship skills) is a psychologist and former missionary to Brazil; Dr. Shirley Schooley (conflict management) has experience as a university professor and a pastor's wife; Debbie Lloyd (time management) also has experience has a pastor's wife and a Christian educator; Dr. Harriet Harral (communication skills) has served as the executive director of Leadership Fort Worth and was director of the Center for Productive Communication in the School of Business at Texas Christian University.

Most helpful customer reviews

4 of 4 people found the following review helpful.
book review
By Ruthers
There are certain aspects of this book that I really like, such as making God the focus of all business decisions, and how we interact with others. Basically, the book as a whole, is somewhat elementary, (i.e. not really learning anything new or that I haven't read before) Nothing WOW here - just some basic info compiled into one book. It is good review though, if one needs to review the "5 basics".

0 of 0 people found the following review helpful.
Great book!
By Mary Ann
This is a great book for women. It is written in an easy manner and reads well.
I think all women could benefit from reading it.

0 of 0 people found the following review helpful.
... a class I was taking but I actually really enjoyed reading it
By MikialaJ
This was for a class I was taking but I actually really enjoyed reading it.

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Sabtu, 12 April 2014

! Free Ebook The Evil B.B. Chow and Other Stories, by Steve Almond

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The Evil B.B. Chow and Other Stories, by Steve Almond

Steve Almond, the man whose candy jones fueled the bestseller Candyfreak, returns with a collection of stories that both seals his reputation as a master of the modern form and risks getting him arrested. The cast of characters in The Evil B.B. Chow and Other Stories includes a wealthy family certain they have been abducted by space aliens, a sexy magazine editor who falls for a worldclass cad, and a beleaguered dentist who refuses to read his best friend’s novel. Michael Jackson and Abraham Lincoln make cameos, as do a variety of desperate and beautiful loonies, all of whom are laid bare, often literally. In these twelve stories, Almond refuses to let his characters off the hook, or to abandon them, until we have seen the full measure of ourselves within their struggle.

  • Sales Rank: #1527478 in eBooks
  • Published on: 2006-04-28
  • Released on: 2006-04-28
  • Format: Kindle eBook

From Publishers Weekly
In this sexy, fast-paced second collection of stories, Almond, author of My Life in Heavy Metal and the nonfiction Candyfreak, takes on love and loss around the turn of the millennium, showing how average people living in big cities and university towns tackle heartbreak with humor. The title story traces the flailing love between a magazine editor and a commitment-phobic medical resident who seems too good to be true. In "Appropriate Sex," a refreshing addition to the growing genre of stories about the goings-on in undergraduate writing workshops, a writer-in-residence is treated to a parade of students who "discourse on Tristam Shandy," seduce him and get him stoned in the same office hour. "A Happy Dream" portrays the lucky outcome of a blind date on which Kate, a bike messenger masquerading as a chimney sweep, forces Henry, a cautious sous-chef, to think on his feet. While struggling with his own recent breakup, the narrator of "Skull" listens as his friend confesses how he and his new girlfriend are finding love in unlikely ways that involve her prosthetic eye. Almond doesn't dig too deep or offer up grand theories about romantic love, but his easy, natural storytelling and consoling reminders that intimacy is awkward and messy will carry readers happily along. (Apr. 22)Forecast: Almond scored a surprise hit with Candyfreak, his confessional tour of candy factories. This laid-back follow-up delivers more guilty pleasure and should attract—and satisfy—Almond's new fans. Author tour.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From Booklist
Almond hit it big with Candyfreak [BKL F 1 04], his best-selling gonzo travelogue, but his debut, the funny and explicit short story collection My Life in Heavy Metal (2002), had already earned him cult status. Almond proves himself to be just as irreverent, audacious, and amusing in his new set of stories, but his subjects are more diverse, and he manages to be even more sardonic and affecting. The honed-to-perfection title story about a love affair gone wrong is convincingly told from the woman's point of view, while "Appropriate Sex," a tale about a college writing teacher drenched in his students' hectic eroticism, is all male. Going further afield, there's an eerie tale about a family convinced that aliens have tinkered with them; "The Idea of Michael Jackson's Dick," a title that speaks for itself; and an exceedingly strange and provocative vision of a melancholy Abraham Lincoln and an uneasy Frederick Douglass floating down the Mississippi getting tipsy. As out there as Almond gets, he never loses his down-to-earth tenderness and agile delicacy. Donna Seaman
Copyright © American Library Association. All rights reserved

Review
"Always enjoyable, often hysterical."
—New York Times Book Review

Most helpful customer reviews

5 of 5 people found the following review helpful.
A Recent Convert
By Megan Stewart
I'm normally not a big fan of short stories. I buy anthologies and feel lucky to find one story that doesn't bore me to tears.

So I guess I wasn't too disappointed when I attended a writing conference in New York to find that "The Evil B.B. Chow and Other Stories" had sold out and all that was left was "Candyfreak." It's hard to be bored by candy.

But I enjoyed reading "Candyfreak," so I tracked down a few of Steve Almond's stories online. Well, OK, several stories. None of which bored me, and a few of which I liked. I felt I owed it to him to buy his book(s).

My personal favorites here were "The Problem of Human Consumption" and "Summer, As In Love." Almond is at his best when writing about star-crossed and otherwise failed love affairs. These stories struck me as more romantic than the ones in his first collection, "My Life In Heavy Metal," which I suspect would have a greater appeal for young men (although I liked "Valentino").

On the lighter side, "The Soul Molecule" was also weirdly enchanting.

I have only a few niggling criticisms. The ending of the title story seemed too dramatic for the story. The main character in "I Am As I Am" seemed too adult in his viewpoint (which may have been intentional). And I won't even go into stallions versus soldering guns.

These were all petty in the scheme of things.

What I really didn't get was "Larsen's Novel." I mean, I (apparently) lead a more sheltered life than Larsen, but from the excerpts I guess his book was about as inspired as my own first endeavor. Is Almond hinting at something here? Like maybe this is why I can't sell my first novel? This is more truth than I'm prepared to handle in my current fragile state.

4 of 5 people found the following review helpful.
"Evil" is Beyond Good
By Voice of Chunk
Steve Almond's obsession to satisfy his sweet tooth fueled the intelligence and humor of 2004's "Candyfreak." It's not surprising, then, that the characters inhabiting the dozen stories in "The Evil B.B. Chow" are "freaks," though of a less carb-addicted variety. Instead of chasing after elusive GooGoo Clusters and Owyhee Butter Toffees, "Chow"'s characters attempt to capture and retain love, redemption, and acceptance. Almond's humanity and empathy -- not to mention his sharp, elegant prose (the final paragraph of the title story could've been cribbed from Fitzgerald); his steady pacing; his handling of occasionally shocking (but never gratuitous) sexual material; and his ability to orchestrate surprising-yet-inevitable character reversals -- make this collection sweeter than "Candyfreak" and weightier than his first story collection, "My Life in Heavy Metal."

Razor-sharp humor balances the book's recurrent failed relationships, deaths, feelings of loneliness and acts of deceit, but Almond's more interested in epiphanies and ambiguity than cheap yucks. Plus, Almond demonstrates that the best humor stems from loss, which means that if we're laughing along with Maureen and Marco (from the title story) over the epithets she's assigned her exes -- "Behind the Music" Man, The Incredible Rowing Man, The Sperminator -- our tone is slightly shameful and nervous because we've all labeled our failures similarly, or, worse, we wonder how we've been labeled.

Ultimately, though, Almond's stories have more to do with the ripple effect of isolated moments than with reductionist labels. In one of the collection's more powerful stories, "I Am As I Am," a single swing of a bat at a pick-up baseball game shows how fate and circumstance can shatter a boy's preconceived notions about security, permanence, community, and self. In "The Problem of Human Consumption," a widower and his daughter simultaneously and silently remember a day with the deceased wife/mother, but from very different perspectives. This memory at once explains the father & daughter's distance and their unspoken connection. "Human Consumption" also contains one of the book's many thematically resonant passages:

"These are the mysteries that consume [Paul] as he sits on his daughter's bed with his hands in his lap. They [the mysteries] matter as much as any of the others, the fact that people die for no good reason, that they choose to hate when love becomes unbearable, that a certain part of them, starved of happiness, gives up, shuts down, goes into hiding."

Where there's hiding there's seeking, and plenty of stories are about seeking for things lost long ago -- usually blind love or blissful naiveté. (In Almond's world the two are synonymous.) Though he keeps intrusions to a minimum, a narrator will occasionally note characters caught in a significant moment as it's happening, flash forward and then note both how the characters interpret the present moment from the future and how the moment impacted the arc of their life. This device is a huge risk because it flirts with one of fiction's deadly sins -- sentimentality. In this regard, Almond is like a trapezist who thrills his audience with feats of ever-increasing danger without ever falling, and this is what makes him an artist of distinction rather than just another talent. A line from "Summer, As in Love" shows that risk is where it's at: "...without risk there [is] no danger and...every story, in the end, is about danger."

Equally impressive is Almond's avoidance of contemporary lit's favorite safety net -- irony -- a pose often used by writers too clever for direct emotion and too distrustful of their audience's ability to distinguish sincerity from schmaltz. "The Idea of Michael Jackson's Dick," a story that takes place on the porch of a house in a "neat little southern city, where [three professors had] come to cash in on the emerging field of Cultural Studies," begs for a little ironic nudging and winking. Putting aside how easy it is to goof on MJ, the blend of tabloid rhetoric ("'He's got a dick...I've seen photos'"), factual errors ("Jackson [was]...beyond traditional categories of truth") and academese ("'Michael Jackson has become dependent on his own mortification...what's known as the Fame-Flagellation Nexus'") might lead you to believe that Almond's commenting on how Ph. D's turn their fetishes into careers. Instead, it's a heartbreaking exploration of the fragility of childhood, of how lost innocence can poison adulthood.

Almond provides the necessary details to create a solid impression in your mind, but leaves enough details out so you're forced to invest parts of yourself. Even after closing the book you'll find yourself dis- and reassembling the stories' pieces again and again, constantly revising your own final version. If this isn't the mark of a great book I don't know what is.

0 of 0 people found the following review helpful.
Funny and Deep
By R.L. Maizes
A collection of stories that are funny and deep, surprising and inevitable. Almond's writing is full of heart. The stories will make you think about what it means to be human.

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Rabu, 09 April 2014

? Ebook Brazil: Modern Architectures in History, by Richard Williams

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Brazil: Modern Architectures in History, by Richard Williams

Set against a backdrop of breathtaking natural beauty, Brazil's striking Modernist architecture has long garnered international acclaim. But these well-known works are not fully reflective of the built environment of Brazil, and in this volume, Richard Williams unearths the surprisingly rich and influential architectural heritage of Brazil.Spanning the period from the 1930s to the present, Williams focuses on key issues such as the use of historic architecture, the importance of leisure and luxury, the role of the favela as a backdrop and inspiration for development, the growth of cities, and the legacy of Brazil’s Modernist architecture. He examines the variety of Modernist works in Brazil, including those by renowned architects such as Niemeyer and Costa and many others, including Roberto Burle Marx, Vilanova Artigas, Lina Bo Bardi, the Arquitectura Nova group and Paolo Mendes da Rocha. Williams also focuses on more recent buildings by architects including Jaime Lerner, João Filgueiras Lima and Ruy Ohtake and considers the future of Modernist architecture in Brazil. From the designated world heritage site of Brasilia, a capital city that was planned from the ground up, to the installation work of artists such as Helio Oiticica, Brazil explores in depth the origins and complex meaning of Brazil's architectural Modernism.At a moment when the role of Latin America in global business and culture is growing in importance and attention, Brazil is an essential read for all scholars of architecture and Latin American history.

  • Sales Rank: #1974311 in eBooks
  • Published on: 2012-05-26
  • Released on: 2012-05-26
  • Format: Kindle eBook

Review
"With this unbiased though not dispassionate history covering the 1930s to the present, Richard Williams considers Brazilian architecture's modernity within an expanded framework of Brazil's cultural and political movements. In this way, he breaks through the frozen narratives of Brazilian history, questioning canonical definitions of modernity, and taking into account the complexities of this vast country. Brazil is a hugely welcome, refreshing and penetrating book."

(Ruth Verde Zein, School of Architecture and Urban Design, Mackenzie University,)

About the Author
Richard J. Williams is senior lecturer and director of the Graduate School of Arts, Culture and Environment at the University of Edinburgh. He is also the author of After Modern Sculpture and The Anxious City, and regularly writes for architecture and design journals including Blueprint.

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0 of 0 people found the following review helpful.
Worth the read
By Melinda Mcvay
This book is a good review of Brazilian architecture from a political perspective. Williams covers the most noteworthy Brazilian architects.

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Sabtu, 05 April 2014

** Free Ebook Something Written in the State of Denmark: An Actor's Year with the Royal Shakespeare Company, by Keith Osborn

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Something Written in the State of Denmark: An Actor's Year with the Royal Shakespeare Company, by Keith Osborn

Following in the footsteps of Nick Asbury's bestselling Exit Pursued by a Badger, actor and Royal Shakespeare Company alumnus Keith Osborn tells the story of the company's extraordinary 2008/9 season in Stratford and London, with much drama on and off stage.

Keith appeared in Gregory Doran's acclaimed productions of A Midsummer Night's Dream and Love's Labour’s Lost and, of course, Doran's Hamlet with David Tennant in the title role. Keith's blog was followed by thousands of loyal readers, the book contains some new material covering the early parts of the season and a short account of the BBC's filming of Hamlet in the summer of 2009, rounded out with many rehearsal and production photos taken throughout the season.

  • Sales Rank: #1934750 in eBooks
  • Published on: 2012-06-27
  • Released on: 2012-06-27
  • Format: Kindle eBook

Review
"If aimed at the student, it serves as an excellent elementary guide to the basics of stagecraft. If aimed at the Doctor Who fan, there is the sidelight on Tennant’s actorly life. He recalls Tom Stoppard’s Rosencrantz or Guildenstern, walking a fine line between being the quiet, unambitious courtier or being a real player in the world of Elsinor."—Joseph Chance, Times Literary Supplement

About the Author
Keith appeared in Greg Doran's acclaimed productions of A Midsummer Night's Dream and Love's Labours Lost - and, of course, Doran's Hamlet, with David Tennant in the title role. Keith's blog was followed loyally by thousands of readers, as well as many David Tennant fans.

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2 of 2 people found the following review helpful.
Unrevealing
By H. Heckman
This book is not nearly as interesting as I had hoped. Mr Osborn wrote his original blog under the auspices of the RSC, and in his book he clearly is determined not to step on any toes and risk damaging his chances of future work, and who can blame him. But as a result, aside from some interesting stuff on understudy rehearsals, Mr Osborn reveals very little of the inner dynamics of the company, the disputes, the jealousies that inhabit every theatre company-- in other words, the stuff readers want to read about. As it is, everyone is great and talented and friendly and understanding and blah, blah blah. Good PR for the RSC but bland for outsiders.

0 of 0 people found the following review helpful.
Single Spy
By Colin McPhillamy
What is delightful about this fly on the wall account of an actor's involvement of a full year long season across three plays in Stratford upon Avon and London, is the detail, the minutiae, and the insider's knowledge of day to day living as a company member. The rehearsal process, the text analysis, the staging, the singing, the combat, the design and so on... all this is described with relish, understanding, affection and approval. What emerges throughout the book as a whole is the under the skin experience of a man who loves his craft, and attempts at each turn to deepen it. We share the author's personal nourishment as he engages with three contrasting plays in the Shakespearean canon. A definite must read for anyone who wants to know what it's like to work for the RSC.

0 of 0 people found the following review helpful.
I Wanna Work for the RSC
By Marla Richmond
As a former stage manager in small theaters, I always wondered what it would be like to work in a place where money was not always an object. Where real artists could actually do what they want. I am intensely jealous of the Royal Shakespeare Company. Keith Osborn kept a blog of a year in the life. There is a tremendous amount of work involved and it sounds wonderful. Osborn goes beyond rehearsals and writes about what it is like to try to earn a living as an actor. What it is like to be a "star" and not be able to pick up lunch and eat it within 1/2 hour. This book gives a real view, though not all theaters have the luxuries of the RSC. Highly recommended!

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Jumat, 04 April 2014

^^ Ebook Download A History of the Oratorio: Vol. 4: The Oratorio in the Nineteenth and Twentieth Centuries, by Howard E. Smither

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A History of the Oratorio: Vol. 4: The Oratorio in the Nineteenth and Twentieth Centuries, by Howard E. Smither

With this volume, Howard Smither completes his monumental History of the Oratorio. Volumes 1 and 2, published by the University of North Carolina Press in 1977, treated the oratorio in the Baroque era, while Volume 3, published in 1987, explored the genre in the Classical era. Here, Smither surveys the history of nineteenth- and twentieth-century oratorio, stressing the main geographic areas of oratorio composition and performance: Germany, Britain, America, and France.

Continuing the approach of the previous volumes, Smither treats the oratorio in each language and geographical area by first exploring the cultural and social contexts of oratorio. He then addresses aesthetic theory and criticism, treats libretto and music in general, and offers detailed analyses of the librettos and music of specific oratorios (thirty-one in all) that are of special importance to the history of the genre.

As a synthesis of specialized literature as well as an investigation of primary sources, this work will serve as both a springboard for further research and an essential reference for choral conductors, soloists, choral singers, and others interested in the history of the oratorio.

Originally published 2000.

A UNC Press Enduring Edition -- UNC Press Enduring Editions use the latest in digital technology to make available again books from our distinguished backlist that were previously out of print. These editions are published unaltered from the original, and are presented in affordable paperback formats, bringing readers both historical and cultural value.

  • Sales Rank: #694306 in eBooks
  • Published on: 2012-09-01
  • Released on: 2012-09-01
  • Format: Kindle eBook

Review
This book completes one of the most important historical surveys that has been offered to musical scholarship in this generation.Nicholas Temperley, University of Illinois

Review
With this massive volume Howard Smither brings to a triumphant conclusion his masterly history of a notoriously problematic genre. . . . [He] must be congratulated on this major contribution to historical scholarship.--Music and Letters



Smither is to be congratulated that this huge project--a quarter-century in the undertaking--has led to a final volume which, like its predecessors, combines wide-ranging scholarly research with a style that is both accessible and enjoyable. No one with a passion for oratorio should miss it: no one with even a vague interest in the subject can fail to have that interest stimulated further. . . . A splendid final volume to a series which I am sure will remain a valuable source of information and reference for decades to come.--The Musical Times



Smither brings to a triumphant conclusion his survey of the oratorio. . . . Smither's treatment of this large and sprawling topic is exemplary. . . . All in all, this volume is an outstanding achievement, both in its own right and as the final installment of The History of the Oratorio. The four volumes together stand as an invaluable survey of the oratorio genre over five centuries, to be read with profit and pleasure by musicologists, music students, social historians, and the general musical public. Smither and his publisher, the University of North Carolina Press, are to be congratulated on the successful completion of one of the most important musicological projects of recent times.--Music Library Association Notes



This book completes one of the most important historical surveys that has been offered to musical scholarship in this generation. Smither has maintained the high levels of research and writing established in the other volumes. His selection of works for detailed treatment amounts to a historical judgment of value which he alone is qualified to make.--Nicholas Temperley, University of Illinois



Howard Smither has written what will no doubt become the standard reference work on the history of the oratorio. His painstaking research sheds new light on the social contexts, aesthetic theory, and stylistic development of the genre. The rise and fall of the oratorio is meticulously examined through probing discussions of the familiar masterworks and extended treatments of the various national traditions. All in all, a splendid achievement.--R. Larry Todd, Duke University

From the Inside Flap
The final volume of an essential musical reference. Howard Smither surveys the history of nineteenth- and twentieth-century oratorio, stressing the main geographic areas of oratorio composition and performance: Germany, Britain, America, and France.

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2 of 2 people found the following review helpful.
Too self limiting
By Thomas J. Busse
Although Howard Smither confronts the problems of historiography in the introduction to his Volume 4 history of the oratorio, he does not meet them head on. As such, this well-researched volume fails to achieve the much-elusive need for a comprehensive history of the 19th century choral phenomenon.

The choral festival became a unique phenomenon in the 19th century, and this was especially the case in Germany, yet the extent and scale of these large social events is only hinted at in Smither's history. Instead, he focuses on works that are identified as "oratorios." This may define the genre in continuity with his first three (excellent) volumes. Unfortunately, in the nineteenth century, the oratorio took an abrupt turn, and Smither, by adopting a rigid definition, fails to . In this work, he needed to draw on some of the insights of sociology and "new musicology." His analysis is in many ways conservative, but it fails to convey what exactly the oratorio *was.*

This is to say, as much as I appreciate Smither's discussion of Liszt's "Legend of St. Elizabeth," works like Mahler's Symphony of a Thousand get scant treatment, and other works such as the Berlioz Requiem, Dvorak's Stabat Mater and Requiem or Bruckner's great E-flat Mass disappear from the discussion completely. Yet these clearly are part of the genre...and more importantly, part of the genre known to audiences today. They were performed alongside "oratorios" at the very festivals Smither describes. With his (graduate student's) research in the frequency of performance of "oratorios" the reader is therefore left to imagine how frequently those works were performed in comparison to the blown-up genres of huge Requiems and other large choral/orchestral works. The increasing turn to these hybrid genres and away from traditional oratorio librettos is very much part of the history---a part Smither both ignores and misrepresents.

An additional omission is the cultural esteem of composers and music, as well as that of composition. How did writing for the choral festivals affect a composer's reputation and reception in other genres?

Smither also seems unwilling to observe literary and cultural trends, such as the deplorable state of poetry after the Revolutions of 1848 and the domestication of poets between that time period and that of the Grundungzeit of the 1870s. The librettist Otto Roquette (of St. Elizabeth) is completely forgotten today, yet he was immensely popular among composers of now-forgotten lieder. Did Carl Lowe's sixty-page long settings of Roquette's Ballads have something to do with Liszt's approach to his librettist? The decline in oratorio output after 1848 coincides with other musical trends such as the crisis in German symphonic output between Schumann and Brahms. Smither does not even consider this decline and the tremendous social upheavals it reflected. One place I would start would be Arthur Schnitzler's hilarious portrayal of an Austrian choral concert in his short story "Lieutenant Gustl."

I much appreciated his attention on the history of the oratorio in America, but if I was to compare Smither's history with, say, Joseph Horowitz's "Wagner Nights," which covers similar territory, I would have a very very different perception of music history in this not-German yet not British country, yet an equal appreciation of how the music actually goes. Smither's musical analysis often has a feel of "now I'm going to analyze because a music book without analysis will not be taken seriously, so here it is, even though it doesn't help me make a point."

Smither's treatment of the 20th century is perfunctory and incomplete. Stopping at the first world war and devoting space to the numerous omissions of the 19th century would have made for a far better book.

0 of 0 people found the following review helpful.
I finally have them ALL
By Alexis
Great, with this book I now have them ALL!! They're all in BRAND NEW condition and without mentioning company names I bought the whole collection from different bookstores & websites. This should make for a very technically jarring read, I'll see if I can get through it. Everything was PERFECT about the sale & with the Seller, thanks to amazon & the others that will go unnamed.

0 of 0 people found the following review helpful.
This is so good to me
By Seung-Hwan Roh
This is so good to me.
Because, About Oratorio is so very hard to me. and so difficult to understand oratorio history.
In 19 Century, the history is kind of war history. Most of things sleep out to old fashion.
There are many accident in this Century. Anyway Thank you for existence this book and Howard E. Smither.

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